सत् सृष्टि ताण्डव रचयिता
नटराज राज नमो नमः ।
हे आद्य गुरु शंकर पिता
नटराज राज नमो नमः ॥
गम्भीर नाद मृदङ्गना
धबके उर ब्रह्माण्डना ।
नित होत नाद प्रचण्डना
नटराज राज नमो नमः ॥
शिर ज्ञान गङ्गा चन्द्रमा
चिद्ब्रह्म ज्योति ललाट माँ ।
विषनाग माला कण्ठ माँ
नटराज राज नमो नमः ॥
तव शक्ति वामाङ्गे स्थिता
हे चन्द्रिका अपराजिता ।
चहु वेद गाये संहिता
नटराज राज नमो नमः ॥
Sat sṛṣṭi tāṇḍava racayitā,
Naṭarāja rāja namo namaḥ.
He ādya guru Śaṅkara pitā,
Naṭarāja rāja namo namaḥ.
Gambhīra nāda mṛdaṅganā,
dhabake ura brahmāṇḍanā.
Nita hota nāda pracaṇḍanā,
Naṭarāja rāja namo namaḥ.
Salutations again and again to Nataraja, the King of Dancers, the creator of the Tandava dance from which true creation unfolds; the primordial guru, Shankara, the father of all. The deep sound of his drum (mridanga) throbs through the whole cosmos; the fierce, ceaseless sound of creation arises eternally from his dance. The Ganga of wisdom and the moon adorn his head; the light of pure consciousness shines on his brow; a garland of serpents rests at his throat. At his left side stands his Shakti, the undefeated Chandrika, and all four Vedas sing his praise.
This is a popular devotional Natraj Stuti in a Sanskritised Hindi idiom, sung widely in temples and at cultural and dance programmes (it is a beloved invocation in Bharatanatyam and other classical dance traditions). Nataraja is the form of Lord Shiva as the cosmic dancer whose Ananda Tandava — the dance of bliss — sets the universe in motion, sustains it, and finally withdraws it. Each line of the stuti paints one feature of the famous Chidambaram Nataraja icon: the drum of creation, the fire of dissolution, the Ganga and crescent moon in the hair, the serpent, and the Goddess at his side.
The Nataraja symbol teaches that creation and destruction are a single, rhythmic dance, and that the same Lord who whirls the cosmos stands eternally still at its centre. Singing this stuti is said to bring inner steadiness, dissolve the ego’s sense of separateness, and awaken artistic and spiritual inspiration. For dancers and musicians it is a prayer for grace, rhythm and mastery; for all devotees it is an invocation of Shiva as the supreme teacher (Adi Guru) who reveals the play of consciousness behind the moving world.
As a hymn to Shiva, the Nataraja Stuti carries the remedial power associated with the great malefics. Shiva worship is the classic remedy for an afflicted Saturn (Shani) — the lord of discipline, time and the cosmic rhythm that Nataraja embodies — and for Rahu and Ketu, the karmic nodes. The crescent moon on Shiva’s head links the hymn to a weak or troubled Chandra (Moon), making it soothing for mental unrest. Its emphasis on Nada (cosmic sound) and rhythm also makes it favoured for strengthening the artistic significations of Venus and Mercury.
Sit or stand before an image of Nataraja, light a lamp, and sing the stuti with feeling and rhythm — it is meant to be sung rather than merely read. Dancers traditionally recite it before practice or performance as an invocation. Repeat the refrain “Nataraja Raja namo namaḥ” with a bow at the close of each verse.
Mondays (sacred to Shiva), Pradosh days, and Maha Shivaratri are especially auspicious, as are the early morning and the Pradosh hour at dusk. Performers may sing it before any artistic undertaking.
Nataraja is Lord Shiva depicted as the cosmic dancer whose dance creates, sustains and dissolves the universe. The most famous icon is enshrined at the Chidambaram temple in Tamil Nadu.
It is composed in a devotional, Sanskritised Hindi that draws heavily on Sanskrit vocabulary. It is a popular sung invocation rather than a classical Sanskrit shastric stotra, and is widely used in dance and temple settings.
Nataraja is the patron deity of dance and rhythm. Classical dancers invoke him before practice and performance, asking for grace, perfect rhythm and the dissolution of ego so that the dance becomes an offering.
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The still centre within the cosmic dance
The image of Nataraja - Shiva as Lord of the cosmic dance - is one of the most philosophically rich icons in Indian sacred art. The Tandava is not mere movement; it is creation, preservation and dissolution expressed through the perfect poise of a single dancing form. The Natraj Stuti salutes the one whose dance creates reality even while his awareness remains utterly still. For practitioners of the classical and folk performing arts this stuti holds particular significance: devotees and artists recite it before practice and performance, invoking the principle of sthitaprajna - stable intelligence - that Nataraja embodies in every gesture.
The stuti is recited on Mondays and during Pradosh Kala, the twilight hour sacred to Shiva that falls twice each lunar fortnight. Shivaratri - both the monthly and the annual Mahashivaratri - are especially potent occasions for contemplating the Nataraja form. In the Jyotish tradition, Shiva as Mahakala resonates with the planetary principle of Shani (Saturn), which governs discipline, endurance and ultimate liberation. What makes this stuti distinctive is its mood: unlike hymns that petition for worldly boons, it invites the practitioner into vismaya - a devotional astonishment - before the paradox of a God who dances the universe into existence while remaining, at his innermost core, nishchala, completely still. That stillness is the real gift the stuti offers.