आरती भारत माता की, जगत के भाग्य विधाता की ।
सिर पर हिम गिरिवर सोहै, चरण को रत्नाकर धोए ।
देवता गोदी में सोए, रहे आनंद, हुए न द्वन्द ।
समर्पित छंद, बोलो जय बुद्धिप्रदाता की ।
जगत के भाग्य विधाता की ॥
आरती भारत माता की, जगत के भाग्य विधाता की ।
जगत में लगती है न्यारी, बनी है इसकी छवि न्यारी ।
कि दुनियाँ देख जले सारी, देखकर झलक ।
झुकी है पलक, बढ़ी है ललक, कृपा बरसे जहाँ दाता की ।
जगत के भाग्य विधाता की ॥
आरती भारत माता की, जगत के भाग्य विधाता की ।
गोद गंगा जमुना लहरे, भगवा फहर फहर फहरे ।
लगे हैं घाव बहुत गहरे, हुए हैं खण्ड ।
करेंगे अखण्ड, देकर दंड, मौत परदेशी दाता की ।
जगत के भाग्य विधाता की ॥
आरती भारत माता की, जगत के भाग्य विधाता की ।
पले जहाँ रघुकुल भूषण राम, बजाये बँसी जहाँ घनश्याम ।
जहाँ का कण कण तीरथ धाम, बड़े हर धर्म ।
साथ शुभ कर्म, लढे बेशर्म, बनी श्री राम दाता की ।
जगत के भाग्य विधाता की ॥
आरती भारत माता की, जगत के भाग्य विधाता की ।
बड़े हिन्दू का स्वाभिमान, किया केशव ने जीवनदान ।
बढाया माधव ने भी मान, चलेंगे साथ ।
हाथ में हाथ, उठाकर माथ, शपथ गीता गौमाता की ।
जगत के भाग्य विधाता की ॥
आरती भारत माता की, जगत के भाग्य विधाता की ।
Aarti Bharat Mata Ki, Jagat ke Bhagya Vidhaata ki.
Sir par Him Girivar Sohai, Charan ko Ratnakar Dhoe.
Devata Godi mein Soe, Rahe Anand, Hue na Dwand.
Samarpit Chhand, Bolo Jay Buddhipradaata Ki.
Jagat ke Bhagya Vidhaata ki.
Aarti Bharat Mata ki, Jagat ke Bhagya Vidhaata ki.
Jagat mein Lagti Hai Nyaari, Bani Hai Iski Chhavi Nyaari.
Ki Duniyaan Dekh Jale Saari, Dekhkar Jhalak.
Jhuki Hai Palak, Badhi Hai Lalak, Kripa Barse Jahaan Daata ki.
Jagat ke Bhagya Vidhaata ki.
Aarti Bharat Mata ki, Jagat ke Bhagya Vidhaata ki.
God Ganga Jamuna Lahre, Bhagwa Phahar Phahar Phahre.
Lage Hain Ghaav Bahut Gahre, Hue Hain Khand.
Karenge Akhand, Dekar Dand, Maut Pardeshi Daata ki.
Jagat ke Bhagya Vidhaata ki.
Aarti Bharat Mata ki, Jagat ke Bhagya Vidhaata ki.
Pale Jahaan Raghukul Bhushan Ram, Bajaaye Baansi Jahaan Ghanashyam.
Jahaan ka Kan Kan Teerath Dhaam, Badhe Har Dharm.
Saath Shubh Karm, Ladhe Besharma, Bani Shri Ram Daata ki.
Jagat ke Bhagya Vidhaata ki.
Aarti Bharat Mata ki, Jagat ke Bhagya Vidhaata ki.
Badhe Hindu ka Swabhimaan, Kiya Keshav ne Jeevandaan.
Badhaaya Madhav ne bhi Maan, Chalenge Saath.
Haath mein Haath, Uthakar Maath, Shapath Geeta Gaumaata ki.
Jagat ke Bhagya Vidhaata ki.
The Bharat Mata Aarti is a five-verse devotional composition that consecrates the land of India as a living mother-goddess - the shaper of the world's destiny (Jagat ke Bhagya Vidhaata). The first verse paints a majestic geographical portrait: the Himalayas crown her head, the ocean washes her feet, the gods rest in her lap, and the land vibrates with harmony and peace. She is described as incomparably beautiful - so radiant that the whole world looks on in wonder and reverence. The third verse invokes the sacred rivers Ganga and Yamuna, symbols of civilisation and purity, flowing through her bosom, alongside the saffron flag that represents her spiritual ethos. The fourth verse consecrates every particle of this land as a pilgrimage site - for here Ram upheld righteousness and Krishna played his flute; every grain of this soil carries the memory of divine presence. The final verse calls devotees to walk together, hand in hand, with heads held high and hearts dedicated to the Bhagavad Gita's teaching and the care of the cow - symbols of wisdom and nurturing abundance.
Bharat Mata (Mother India) is the national personification and spiritual embodiment of India as a mother-goddess. The concept crystallised powerfully in the nineteenth and early twentieth centuries during the Indian independence movement, drawing on ancient Vedic and Puranic imagery of the earth as mother (Bhu Devi). Bankim Chandra Chattopadhyay's Vande Mataram (1882) and the paintings and imagery popularised by Abanindranath Tagore (1905) gave her a visible form. She is typically depicted as a woman clad in a saffron or white sari, holding the national flag, with rivers, mountains, and the Indian landscape in the background. Bharat Mata temples exist across India, the most prominent being the Bharat Mata Mandir in Varanasi, consecrated by Mahatma Gandhi in 1936.
The Bharat Mata Aarti is most powerfully performed on national occasions: Independence Day (15 August), Republic Day (26 January), and Gandhi Jayanti (2 October). It is also sung during Navratri, when the land itself is honoured as a form of the goddess. Regionally, the aarti is offered on the birthday of local freedom fighters and during community gatherings that celebrate India's cultural legacy. Morning is the ideal time - at sunrise, when the energy of a new beginning aligns with the spirit of national renewal that the aarti expresses.
Bharat Mata occupies a unique space; she is both a cultural-spiritual symbol and a broadly shared national identity. While her imagery draws from Hindu goddess traditions, the concept of the motherland as sacred has resonances across many of India's traditions. The Bharat Mata Mandir in Varanasi, for instance, was dedicated by Mahatma Gandhi in the spirit of universal reverence for the nation, welcoming people of all faiths.
The Himalayas crowning Bharat Mata's head symbolise her towering spiritual stature, her ancient wisdom, and the source of India's great rivers. The ocean (Ratnakar) washing her feet represents her connection to abundance, trade, and the subcontinent's maritime boundaries. Together, from the mountains to the sea, the aarti evokes the complete geography of the living motherland.
Yes - the Bharat Mata Aarti is well suited to public and community settings, precisely because its themes transcend individual religious practice. It is regularly performed in schools, cultural programmes, independence day celebrations, and national service events. Its inclusive patriotic spirit makes it a fitting hymn for any gathering that honours the land and its people.
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Where patriotism becomes puja
The Bharat Mata Aarti occupies a singular place in Indian devotional life because it weaves together two currents that flow deeply in the national soul: the ancient impulse to venerate the land as a living goddess, and the modern aspiration for a free and dignified nation. Devotees who sing this aarti are not merely performing a ritual of the prayer hall; they are expressing a vision in which rivers, mountains, fields, and people become the very limbs of the Divine Mother. The emotion it evokes is a blend of vatsalya (tender affection) and virya (courageous resolve) - a love that cherishes and also protects.
This hymn is particularly popular on national occasions such as Independence Day, Republic Day, and at the conclusion of Jana Gana Mana singing in schools and temples alike, though many devout households offer it every morning alongside their regular puja. Lighting a lamp before the image of Bharat Mata as one sings is understood by devotees as an act of gratitude to the soil that sustains every life. In a tradition where the earth itself - Dharitri - is revered as the first and most patient of all mothers, this aarti serves as a daily renewal of that primal vow: to honour, serve, and never forsake the motherland.