आरती श्री वृषभानुसुता की, मंजुल मूर्ति मोहन ममता की ॥
त्रिविध तापयुत संसृति नाशिनि, विमल विवेकविराग विकासिनि ।
पावन प्रभु पद प्रीति प्रकाशिनि, सुन्दरतम छवि सुन्दरता की ।
आरती श्री वृषभानुसुता की, मंजुल मूर्ति मोहन ममता की ॥
मुनि मन मोहन मोहन मोहनि, मधुर मनोहर मूरति सोहनि ।
अविरल प्रेम अमिय रस दोहनि, प्रिय अति सदा सखी ललिता की ।
आरती श्री वृषभानुसुता की, मंजुल मूर्ति मोहन ममता की ॥
कृष्णात्मिका, कृष्ण सहचारिणि, चिन्मय वृन्दा विपिन विहारिणि ।
जगजननि जग दुखनिवारिणि, आदि अनादिशक्ति विभुता की ।
आरती श्री वृषभानुसुता की, मंजुल मूर्ति मोहन ममता की ॥
संतत सेव्य सत मुनि जनकी, आकर अमित दिव्यगुण गनकी ।
आकर्षिणी कृष्ण तन मनकी, अति अमूल्य सम्पति समता की ।
आरती श्री वृषभानुसुता की, मंजुल मूर्ति मोहन ममता की ॥
Aarti Shri Vrishabhanusuta Ki, Manjul Murti Mohan Mamta Ki ॥
Trividha Tapayut Samsriti Nashini, Vimal Vivek Viraag Vikaasini,
Paavan Prabhu Pad Preeti Prakaashini, Sundartam Chhavi Sundarta Ki,
Aarti Shri Vrishabhanusuta Ki, Manjul Murti Mohan Mamta Ki ॥
Muni Man Mohan Mohan Mohani, Madhur Manohar Murti Sohani,
Aviral Prem Amiy Ras Dohani, Priy Ati Sada Sakhi Lalita Ki,
Aarti Shri Vrishabhanusuta Ki, Manjul Murti Mohan Mamta Ki ॥
Krishnatmika, Krishna Sahcharini, Chinmay Vrinda Vipin Viharini,
Jagajanni Jag Dukh Niwarini, Aadi Anaadi Shakti Vibhuta Ki,
Aarti Shri Vrishabhanusuta Ki, Manjul Murti Mohan Mamta Ki ॥
Santat Sevya Sat Muni Janaki, Aakar Amit Divyagun Ganki,
Akarshini Krishna Tan Manki, Ati Amulya Sampati Samata Ki,
Aarti Shri Vrishabhanusuta Ki, Manjul Murti Mohan Mamta Ki ॥
Aarti Shri Vrishbhanusuta Ki is a devotional hymn of exceptional lyrical richness dedicated to Shrimati Radharani, the daughter of Maharaja Vrishbhanu and the eternal consort of Shri Krishna. The aarti salutes Radha as the destroyer of the three-fold sufferings of worldly existence, the cultivator of pure discrimination and detachment, and the illuminator of loving devotion at the Lord's feet. She is celebrated here as the soul of Krishna Himself (Krishnatmika), the mother of the universe, and the timeless, primordial Shakti that underlies all creation.
Recited with deep feeling, this aarti transforms the devotee's consciousness from the mundane to the transcendent, awakening the sweetness of Radha-bhakti that the saints of Vrindavan have cherished through the ages.
Shrimati Radharani holds the highest position in the Vaishnava tradition as the personification of divine love (prema) and the hladini-shakti - the bliss-giving potency of the Supreme. Born in the village of Barsana near Mathura as the daughter of King Vrishbhanu, She is inseparable from Krishna in the theology of Gaudiya and other Vaishnava sampradayas. The Radha Ashtami festival, celebrated in Bhadrapada month eight days after Janmashtami, honours Her divine appearance. Major temples dedicated to Radha and Krishna in Vrindavan, Barsana, and Mathura hold elaborate celebrations on this day, with devotees chanting Her names and aarti throughout the night.
This aarti is especially auspicious on Radha Ashtami (the eighth day of Shukla Paksha in Bhadrapada), on all Ekadashi tithis, and on Fridays, which are traditionally associated with the divine feminine. Morning and evening puja times are both ideal. During the month of Kartik (Damodara month), daily recitation of this aarti is considered particularly meritorious by Vaishnava tradition.
Vrishbhanu was the king of Barsana and the earthly father of Shrimati Radharani. The suffix 'suta' means daughter, so Vrishbhanusuta means 'daughter of Vrishbhanu.' This name honours Radha's royal lineage and Her appearance in the sacred Braj region, connecting Her divine identity with the devotional landscape of Vrindavan.
Yes. The tradition strongly encourages daily worship of Radha alongside Krishna. Devotional texts of the Vaishnava sampradayas affirm that Radha's grace is accessible to sincere devotees at all times, and regular chanting of Her aarti is considered a complete spiritual practice in itself.
Lalita Sakhi is the foremost among the eight primary sakhis (companions) of Shrimati Radharani in Vrindavan. The aarti references her to indicate Radha's exalted position - even Her closest divine companions adore Her unceasingly. This detail roots the aarti within the rich theological tapestry of the Vrindavan Lila.
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Kishori Ji's aarti - devotion as the sweetest offering
In the Vaishnava bhakti tradition, Radha Rani - Kishori Ji, the eternal beloved of Shri Krishna - occupies a station that is in some ways even more intimate than Krishna himself, for she is understood as the supreme expression of bhakti made manifest in divine form. The aarti Aarti Shri Vrishbhanusuta Ki addresses her by her patronymic - daughter of Vrishabhanu - a name that evokes the gentleness of her origins in Barsana and the depth of a love that neither time nor distance can diminish. The dominant rasa of this hymn is madhurya at its most refined: the sweetness of complete, selfless surrender to the Divine Feminine who is herself the embodiment of pure devotional love.
Devotees sing this aarti especially on Fridays, which are associated with the goddess and the feminine principle, and with particular fervour during Radha Ashtami - the celebration of Radha Rani's appearance day - and throughout the month of Kartik, held most sacred in Vrindavan. The aarti is also central to evening worship in temples of the Braj region, where it marks the transition into the intimate atmosphere of shayan arti (the deity's resting hour). In the Jyotish tradition, Venus (Shukra) governs beauty, love, and devotion; the tender, loving mood of this aarti resonates with everything Shukra represents, and many devotees who seek grace and harmony in relationships hold this prayer especially dear on Fridays, the day Shukra rules.