श्री भागवत भगवान की है आरती,
पापियों को पाप से है तारती॥
ये अमर ग्रन्थ ये मुक्ति पन्थ,
ये पंचम वेद निराला,
नव ज्योति जलाने वाला।
हरि नाम यही हरि धाम यही,
यही जग मंगल की आरती
पापियों को पाप से है तारती॥
श्री भागवत भगवान की है आरती॥
ये शान्ति गीत पावन पुनीत,
पापों को मिटाने वाला,
हरि दरश दिखाने वाला।
यह सुख करनी, यह दुःख हरिनी,
श्री मधुसूदन की आरती,
पापियों को पाप से है तारती॥
श्री भागवत भगवान की है आरती॥
ये मधुर बोल, जग फन्द खोल,
सन्मार्ग दिखाने वाला,
बिगड़ी को बनाने वाला।
श्री राम यही, घनश्याम यही,
यही प्रभु की महिमा की आरती,
पापियों को पाप से है तारती॥
श्री भागवत भगवान की है आरती॥
Shri Bhagwat Bhagwan ki hai aarti
Paapiyon ko paap se hai taarti
Ye amar granth ye mukti panth
Ye pancham Ved nirala
Nav jyoti jalaane wala
Hari naam yahi Hari dham yahi
Yahi jag mangal ki aarti
Paapiyon ko paap se hai taarti
Shri Bhagwat Bhagwan ki hai aarti
Ye shaanti geet paavan puneet
Paapon ko mitaane wala
Hari darash dikhaane wala
Yah sukh karni, yah dukh harini
Shri Madhusudan ki aarti
Paapiyon ko paap se hai taarti
Shri Bhagwat Bhagwan ki hai aarti
Ye madhur bol, jag phand khol
Sanmarg dikhaane wala
Bigdi ko banaane wala
Shri Ram yahi, Ghanashyam yahi
Yahi Prabhu ki mahima ki aarti
Paapiyon ko paap se hai taarti
Shri Bhagwat Bhagwan ki hai aarti
The Shri Bhagwat Bhagwan Ki Aarti is offered to the Shrimad Bhagavatam - the Bhagavata Purana - as a divine being in its own right. Composed in the tradition of scripture-worship that runs deep in Indian devotional culture, this aarti declares the Bhagavatam to be the immortal text (amar granth), the path to liberation (mukti panth), and the fifth Veda (pancham Ved) - a title that places it alongside the Rig, Sama, Yajur, and Atharva Vedas as divinely revealed scripture. The refrain is striking in its directness: the Bhagavatam liberates even sinners from their sins (paapiyon ko paap se hai taarti). The first verse identifies the scripture as the very dwelling of Hari (Hari dham) and the auspicious lamp of the world (jag mangal). The second verse frames the text as the song of divine peace (shaanti geet), capable of granting the direct vision of the Lord (Hari darash). The third verse draws on the full range of divine names - Rama, Ghanashyama (Krishna) - to affirm that all forms of the Lord are present within this single text, and that the aarti offered to it is, in truth, the most complete act of Vishnu worship possible.
The Shrimad Bhagavatam is one of the eighteen major Puranas of India and is widely regarded as the crown jewel of Vedic literature. Traditionally attributed to the sage Vyasa and narrated to his son Shuka, it consists of twelve Skandhas (books) containing eighteen thousand verses. Its tenth Skandha, which details the life of Krishna - from his miraculous birth in Mathura to his divine activities in Vrindavan and beyond - is the most widely studied and loved text in the Vaishnava tradition. The Bhagavatam is closely associated with the Shri Satyanarayan Katha tradition: the text is often placed on an altar alongside Satyanarayan's image during the puja, and the Bhagwat Bhagwan Ki Aarti is sung at the close of such observances. In the tradition of Saptah (seven-day Bhagavata recitation), the scripture is installed on a throne and worshipped daily, with this aarti marking the evening service.
The Shri Bhagwat Bhagwan Ki Aarti is most naturally sung during and at the close of Satyanarayan Puja, which is traditionally performed on Purnima (full moon), Ekadashi, or any auspicious occasion such as a new home, a marriage, or a business beginning. During a Bhagavata Saptah (seven-day recitation), it is sung each evening. Outside of formal events, it may be recited on Thursdays (Guruvar), which is the foremost day for Vishnu and Guru worship, or on Ekadashi, the eleventh lunar day especially sacred to Vishnu. Morning hours after the daily reading of the Bhagavatam, and dusk before the evening lamp, are the most serene times for this aarti.
Yes, closely. The Shri Bhagwat Bhagwan Ki Aarti is sung at the conclusion of Satyanarayan Puja, alongside or immediately after the Satyanarayan Aarti. The Satyanarayan Katha itself is drawn from the Skanda Purana, but devotees often place the Bhagavatam on the altar during the puja, and this aarti is offered to honour that scripture's divine presence. The two aartis together complete the worship of Lord Vishnu in both his personal form and his scriptural form.
The four Vedas - Rig, Sama, Yajur, and Atharva - are the foundational scriptures of Sanatana Dharma. When the Bhagavatam is called the fifth Veda (pancham Ved), it is being placed at the same level of divine authority, with the additional quality of being composed in the more accessible narrative form of stories, conversations, and devotional poetry. Where the Vedas speak in highly coded, symbolic language requiring expert interpretation, the Bhagavatam speaks to every heart through the stories of Prahlada, Dhruva, Gajendra, and above all Krishna - making the highest truths available to all.
Yes. While the ideal is to honour the physical text, the aarti may be performed before any image of Lord Vishnu or Krishna. In this context it functions as a declaration of devotion to Vishnu's divine word, even if the text itself is not immediately present. The aarti's merit arises from the sincerity of the devotee's heart and the authenticity of their reverence for the Bhagavatam's teachings.
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When a scripture itself becomes the object of worship
The Shri Bhagwat Bhagwan Ki Aarti reflects a devotional practice distinctive within the Hindu tradition: honouring the Shrimad Bhagavata Purana not merely as a text to be read but as a living divine presence deserving of full ritual worship, including the waving of lamps. This approach arises from the understanding in the Vaishnava tradition that the Bhagavata is non-different from Lord Vishnu himself - the Lord's divine bliss given the shape of narration. The aarti therefore becomes a form of archana, service offered to the Lord through the medium of his own word, evoking the dasya rasa of devoted service combined with the stillness of deep listening.
This aarti is naturally performed during Bhagavata Saptahas - the seven-day recitation events that are among the most significant gatherings in the Vaishnava calendar - and at the beginning and conclusion of each day's discourse. It is also recited in households that have installed the Bhagavata on their puja altar, treating the text with the same care given to a deity murti. Devotees believe that performing this aarti invites the consciousness described in its verses to become active in daily life: the gentle surrender, the constant remembrance of the Lord's presence, and the cultivation of bhakti in all its stages. The aarti seals the act of sacred reading with gratitude, acknowledging that what has been received is not merely information but grace.